Skip to content
Pulse Central

Game Review: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

Just a single important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game is in UK and Irish cinemas from 17 November.

About the author

Matthew Mccarthy

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and consumer electronics.

Pulse Central

Type to search articles.